Because of the difficulty in locating the subjects, we often filmed with them up to a week straight without going home. We spent over a year on the streets of Manhattan telling this story. Critics have called it disturbing, as you mentioned, for the graphic nature in which we documented the drug use, prostitution, domestic abuse, and crime that dominates the subjects’ lives. What was it like to film? Does it still affect you today?ĭope Sick Love is a film we made for HBO in 2004. Your film, Dope Sick Love, in which you followed the lives of two drug-addicted couples on the streets of New York City for 18 months, is profoundly disturbing for the viewer. ![]() Obviously, the small-format cameras and the ability to film in a discreet way with natural light is important, but I think the relationship we build with the subjects is much more valuable. We hope that in doing this before the cameras begin to roll, the audience will experience the story on a deeper level, because in effect, we are taking them closer than they have ever been to the story. We spend a tremendous amount of time integrating into the subjects’ lives. ![]() With our films – whether the subjects are drug addicts, soldiers at war, politicians, or athletes – the process is the same. ![]() Tell us a little bit about your creative process, both in working within the documentary format, and in teaming up with your brother. Since 1995, he has been working alongside his brother, Craig, on films that have taken them both around the world, and deep within American culture. Filmmakers Craig (left) and Brent Renaud in Iraqīrent Renaud is an award-winning documentary filmmaker whose work has shown at numerous festivals, and broadcast on HBO, PBS, CBS, the Discovery Channel, the Discovery Times Channel, and ESPN.
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